Lot 2832
  • 2832

Liu Guosong (Liu Kuo-sung)

Estimate
500,000 - 700,000 HKD
bidding is closed

Description

  • Liu Guosong (Liu Kuo-sung)
  • Green Earth
  • ink and colour on paper, framed
signed LIU GUOSONG, dated 1967 and with one seal of the artist

Provenance

Hong Kong, HanArt TZ Gallery, 2003
Private Asian Collection

Condition

Overall in good condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Propelled by the explosion of creativity in the modern art movement in the West, Liu Kuo-sung quickly and decisively moved away from Abstract Expressionism in the 1960s to forge a style entirely of his own. His experimentation with texture and thickness of the ink is best visualized in Green Earth (1967), which employs vibrantly luminous shades similar to Western color field painting and executed in interpenetrating interspersed layers of acrylic and ink. Synthesizing both Eastern and Western styles and philosophies, Liu's personal pictorial formulae revitalized the tradition of Chinese landscape painting by combining bold, gestural brushwork with revolutionary non-brush techniques. During this critical early period Liu also perfected the recipe for his fibrous, textured "Liu Kuo-sung Paper". Traditionally, Chinese artists preferred to paint on smooth surfaces, eschewing cotton paper for its rough coarseness. For Liu, however, the natural texture of cotton offered a multitude of possibilities for creating atmosphere, depth, and perspective.