- 472
Cindy Sherman
Estimate
70,000 - 90,000 USD
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Description
- Cindy Sherman
- Untitled Film Still #24
- signed, dated 1978 and numbered 5/10 on the reverse
- gelatin silver print
- 8 by 10 in. 20.3 by 25.4 cm.
Provenance
Metro Pictures, New York
Rhona Hoffman Gallery, Chicago
P.P.O.W., Inc., New York
Christie's, New York, November 16, 2001, lot 491
Acquired by the present owner from the above sale
Rhona Hoffman Gallery, Chicago
P.P.O.W., Inc., New York
Christie's, New York, November 16, 2001, lot 491
Acquired by the present owner from the above sale
Exhibited
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Cindy Sherman - Film Stills, March - June 1995, pl. 24, illustrated on the exhibition brochure (another example exhibited)
New York, The Museum of Modern Art, Cindy Sherman: The Complete Film Stills, June - September 1997
Los Angeles, The Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; CAPC Musée d'Art Contemporain de Bordeaux; Sydney, Museum of Contemporary Art; and Toronto, Art Gallery of Ontario, Cindy Sherman Retrospective, November 1997 - January 2000, p. 70, pl. 25, illustrated (another example exhibited)
New York, The Museum of Modern Art, Open Ends, September 2000 - March 2001
Paris, Jeu de Paume; Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Modern Art; Berlin, Martin-Gropius-Bau, Cindy Sherman, May 2006 - September 2007, n.p. & p. 242, illustrated (another example exhibited)
New York, The Museum of Modern Art; San Francisco Museum of Modern Art; Minneapolis, the Walker Art Center; Dallas Museum of Art, Cindy Sherman, February 2012 - June 2013, p. 105, pl. 40, illustrated (another example exhibited)
New York, The Museum of Modern Art, Cindy Sherman: The Complete Film Stills, June - September 1997
Los Angeles, The Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; CAPC Musée d'Art Contemporain de Bordeaux; Sydney, Museum of Contemporary Art; and Toronto, Art Gallery of Ontario, Cindy Sherman Retrospective, November 1997 - January 2000, p. 70, pl. 25, illustrated (another example exhibited)
New York, The Museum of Modern Art, Open Ends, September 2000 - March 2001
Paris, Jeu de Paume; Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Modern Art; Berlin, Martin-Gropius-Bau, Cindy Sherman, May 2006 - September 2007, n.p. & p. 242, illustrated (another example exhibited)
New York, The Museum of Modern Art; San Francisco Museum of Modern Art; Minneapolis, the Walker Art Center; Dallas Museum of Art, Cindy Sherman, February 2012 - June 2013, p. 105, pl. 40, illustrated (another example exhibited)
Literature
Rosalind E. Krauss and Norman Bryson, Cindy Sherman: 1975-1993, New York, 1993, p. 225
Herbert Muschamp, "Cindy Sherman's Sixty-Nine 70", Artforum, Vol. 35, Summer 1997, p. 109, illustrated
Cindy Sherman, The Complete Untitled Film Stills, The Museum of Modern Art, New York, 2003, p. 93, illustrated
Herbert Muschamp, "Cindy Sherman's Sixty-Nine 70", Artforum, Vol. 35, Summer 1997, p. 109, illustrated
Cindy Sherman, The Complete Untitled Film Stills, The Museum of Modern Art, New York, 2003, p. 93, illustrated
Condition
This print, on heavy double-weight paper, is in generally excellent condition. In raking light, a faint horizontal impression is visible in the upper right margin near the edge. This does not affect the image.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.