Lot 24
  • 24

Salvatore Scarpitta

Estimate
120,000 - 180,000 USD
bidding is closed

Description

  • Salvatore Scarpitta
  • Paaschaendael
  • signed, titled and dated 1971 twice on the reverse
  • bandages, belt, wood and mixed media over wooden armature
  • 30 by 21 1/4 by 5 in. 76.2 by 54.6 by 12.7 cm.

Provenance

Contemporary Art Museum Houston Annual Gala & Art Auction, 1977
Acquired by the present owner from the above sale

Exhibited

Houston, Robinson Galleries, Scarpitta, February - April 1979
Houston, Art Car Museum, Salvatore Scarpitta - Outlaw Art at Racing Speeds, February - May 2001, p. 10, illustrated
New York, Marianne Boesky Gallery, Salvatore Scarpitta: Trajectory, May - June 2011, p. 53, illustrated 

Literature

Luigi Sansone, ed., Salvatore Scarpitta: Catalogue Raisonné, Milan, 2005, cat. no. 357, p. 195, illustrated

Condition

This work is in very good condition overall. All of the elements are well intact. There is some very light wear, mostly at the lower corners, and some light dust accumulation noted. There are a few scattered pinpoint accretions.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

“Canvas: twisted, stretched, slashed, ripped, taut as the hood on an ancient touring car, as the cover of a prairie schooner, swollen as a sail flapping in the wind, rigid as a bandage, cheerful as a tablecloth stained during a convivial feast…this alpha and omega of the post-medieval painter and of the modern artist is here in Scarpitta elevated to the only material with which he works.” (Cesare Vivaldi, “Salvatore Scarpitta,” Quaderni di Arte Attuale, Rome, 1959)