- 237
Tara Donovan
Estimate
40,000 - 60,000 USD
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Description
- Tara Donovan
- Untitled (Mylar)
- mylar and glue
- 21 by 95 by 47 in. 53.3 by 241.3 by 119.4 cm.
- Executed in 2007.
Provenance
Stephen Friedman Gallery, London
Acquired by the present owner from the above in 2007
Acquired by the present owner from the above in 2007
Condition
This work is in very good condition overall. There is surface dust and scattered accretions in the mylar, which is inherent to the nature of the work as a floor piece. Some of the mylar elements are less secure than others, however the elements are stable.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
“From a distance her work gives the impression of being made of something extraordinarily precious. But as you get closer, you realize that the preciousness is the effect that she achieves, not the preciousness of anything that she’s used.”
(David Revere McFadden as quoted in Diane Soloway, "Grand Illusion," W Magazine, September 2008)