Lot 161
  • 161

Victor Vasarely

Estimate
80,000 - 120,000 USD
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Description

  • Victor Vasarely
  • Kettes
  • signed; signed twice, titled, dated 1984 and numbered P.1177 on the reverse
  • acrylic on canvas
  • 53 3/4 by 28 in. 136.5 by 71.1 cm.

Provenance

Private Collection, Switzerland
Private Collection, Europe
Private Collection, New York

Exhibited

New York, Sotheby's S|2, Victor Vasarely: Op Star, May - June 2014, cat. no. 24, p. 67, illustrated in color

Condition

This work is in very good condition overall. There is evidence of light wear and handling along the edges. The canvas is buckling slightly on its stretcher in the upper right and lower left corners. The colors are bright and fresh. There is a very faint black horizontal abrasion mark that extends approximately 15- inches from the lower left edge of the canvas. Under very close inspection there are a few pinpoint yellow media accretions scattered in the center, likely from the time of execution. Under raking light, a few minor and unobtrusive abrasions are visible. Under Ultraviolet light inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"Vasarely dons the craftsy lab coat instead of the smock and refers to his work as visual research...At the square root of Op Art are the essentially static visual phenomena that enslave and enthrall the eye. The Op artist's job is to turn those illusions into sleights of art."
Jon Borgzinner
"Art: Op Art: Pictures that Attack the Eye," Time Magazine, 23 October 1964