Lot 156
  • 156

Jean Dubuffet

Estimate
150,000 - 200,000 USD
bidding is closed

Description

  • Jean Dubuffet
  • Bédouin et chameau
  • signed and dated 48
  • gouache on paper
  • 21 5/8 by 17 1/2 in. 65.1 by 44.5 cm.

Provenance

Galerie Daniel Cordier, Paris
Galerie de Neufville, Paris
B.C. Holland Gallery, Chicago
Acquired by the present owner from the above in 1974

Exhibited

University of Chicago, The David and Alfred Smart Gallery; Saint Louis, Washington University Gallery of Art, Jean Dubuffet: Forty Years of His Art, October 1984 - March 1985, cat. no. 16, p. 46, illustrated

Literature

Max Loreau, ed., Catalogue des travaux de Jean Dubuffet, Fascicule IV: Roses d'Allah, clowns du désert, Paris, 1967, cat. no. 48, p. 39, illustrated

Condition

This work is in very good condition overall. There are artist’s pinholes in all four corners and at the center of the lateral edges. There is a slight undulation to the sheet, inherent to the artist’s working method. Under close inspection, a few light and unobtrusive abrasions are visible throughout the sheet and there is residue from old adhesive visible along the upper half of the right edge. The sheet is hinged verso to the matte at the corners. Framed under glass.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"The whole art, the whole literature and the whole philosophy of the Occident rests on the landing of elaborated ideas. But my own art, and my own philosophy, lean entirely on stages more underground. I always try to catch the mental process at a deeper point of its roots, where, I am sure, the sap is much richer."

JEAN DUBUFFET