Lot 130
  • 130

Tony Cragg

Estimate
180,000 - 250,000 GBP
Log in to view results
bidding is closed

Description

  • Tony Cragg
  • Untitled
  • incised with the artist signature and dated 2012
  • stainless steel
  • 202 by 80 by 68cm.; 79 1/2 by 31 1/2 by 27 3/4 in.
  • Executed in 2012.

Provenance

Private Collection, Europe
Acquired from the above by the present owner

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although it fails to fully convey the bright reflective nature of the highly polished surface. Condition: This work is in very condition. Visible only upon extremely close inspection and in taking light, there are a few very thin and short surface scratches, tiny rub marks and faint spots of burnishing in isolated places.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"Sculpture, which is a relatively rare, even marginal human activity, has become a basic study of the material world. It is not the slave of utilitarianism; it permits a journey of discovery that gives us a glimpse at the myriad of forms as yet unseen. If science attempts to explain the physics of our reality it is sculpture and art in general that gives it value and meaning.”

TONY CRAGG
quoted in: Patrick Elliott, Tony Cragg, Sculptures and Drawings, London 2011, p. 1