Lot 129
  • 129

Joseph Beuys

Estimate
20,000 - 30,000 GBP
Log in to view results
bidding is closed

Description

  • Joseph Beuys
  • Aktrice mit Filzwinkel (Actress with Felt Corner)
  • signed and dated 58; signed and dated 1958 on the reverse
  • pencil and paint on paper
  • 29.5 by 20.7cm.; 11 5/8 by 8 1/8 in.

Provenance

Wide White Space Gallery, Antwerp
Galerie Karsten Greve, Cologne
The Helga and Walther Lauffs Collection, Germany (acquired from the above in 1974)

Exhibited

Krefeld, Kaiser Wilhelm Museum (on long-term loan, 1976-2008)
Krefeld, Museum Haus Lange, Einzelwerke+ Zusammenhänge. Neue Arbeiten in der Sammlung des Kaiser Wilhelm Museums, 1976-77
Krefeld, Museum Haus Lange, Wahrnehmungen, Aufzeichnungen, Mitteilungen. Die Erweiterung des Wirklichkeitsbegriffs in der Kunst der 60er und 70er Jahre, 1979; p. 41, no. 12, illustrated
Krefeld, Kaiser Wilhelm Museum, Transit. Joseph Beuys. Plastische Arbeiten und Zeichnungen 1947-1985, 1991-92, p. 54, no. 36, illustrated
Leverkusen, Erholungshaus der Bayer AG; Nuremberg, Kunsthalle Nürnberg; Krefeld, Museum Haus Lange and Museum Haus Esters, Zeichnungen 1950-1990 aus dem Kaiser Wilhelm Museum Krefeld und der Sammlung Helga und Walther Lauffs, 1996, p. 58, no. 13
Karlsruhe, Staatliche Kunsthalle, "Ich bin interessiert an Transformation, Veränderung, Revolution" – Joseph Beuys: Zeichnungen, 2006-07; exhibition catalogue, p. 114, no. 56, illustrated
New York, Zwirner & Wirth, Works on Paper from the Collection of Helga and Walther Lauffs, 2008
London, Hauser & Wirth, Joseph Beuys: Early Works on Paper from the Collection of Helga and Walther Lauffs, 2009

Literature

Gerhard Storck, Joseph Beuys im Kaiser Wilhelm Museum. Bildheft 1,  Krefeld 1976, n.p., no. 5, illustrated
Gerhard Storck, et al., Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld. Amerikanische und europäische Kunst der sechziger und siebziger Jahre, Krefeld 1983, p. 113, no. 22, illustrated
Alexandra Whitney, Ed., The Helga and Walther Lauffs Collection, New York 2009, Vol. I, p. 55, illustrated; Vol. II, p. 76, no. 21, illustrated

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the paper tone is warmer in the original. Condition: This work is in very good condition. The upper sheet is attached verso to the lower sheet along the upper edge and the lower sheet is attached verso to the mount in the upper two corners. There is a small tear and three associated punctures to the upper edge of the upper sheet, which are in keeping with the artist's working process. The upper, right and lower edges of the lower sheet are slightly deckled and there is evidence of light handling with a short crease to the lower right corner.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."