A RUSSIAN ICON OF THE CRUCIFIXION AND A RUSSIAN ICON OF A MONASTIC SAINT |

the Crucifixion, 19th century, the icon of the saint, 16th century, both contained in later glass-front shadow boxes

both with areas of loss and repair, the icon of the Crucifixion with particular areas of surface wear.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Boris Bakhmeteff (1880-1951) arrived in the US in June 1917 as Russian ambassador representing the Provisional Government, a position he retained until he resigned in 1922, shortly before the establishment of the Soviet Union. He stayed in the US the rest of his life and became a leading figure in the Russian émigré community. While over 100 objects from his collection including icons, 19th- and 20th-century paintings, drawings, and prints were donated to the Metropolitan Museum of Art in 1972. The family chose to retain items having special significance, including the two icons of the offered lot.