A pair of ebonised and parcel-gilt side chairs by the Herter Brothers, New York, late 19th century

with upholstered backs and seats, one leg stamped 4744, the wheels stamped 'India Rubber Comb Co., New York'

Fine Art Society

Overall in good condition. The upholstery later. There are very minor losses to the ebonised and parcel gilt decoration. Signs of old marks and scratches commensurate with age and use.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This refined and elegant chair form was executed in a number of variations by Herter Brothers to suit the specific function of a room or a client’s personal taste. The present lot demonstrates the highly stylised version of this type. The marquetry crest and side rails inlaid with floral forms recalling the sunflower was a popular motif of the Aesthetic movement and was used to great affect by the Herters. Chairs in this style can be found at the most famous Herter commissions such as The Red Room in the White House. However, this pair of chairs also recalls other aspects of the Herter repertoire. The turned balustrade supports below the back rest are reminiscent of a set of side chairs made for the drawing room of William H Vanderbilt’s residence at 459 Fifth Avenue, New York. Whilst the incised parcel gilt fluting to the legs relates closely to a pair of armchairs designed for James Goodwin at The Woodlands. Katherine S. Howe, et al., Herter Brothers: Furniture and Interiors for a Gilded Age, New York, 1994, pp. 168 – 171 and pp. 177