- 166
The Topkapi Palace viewed from Pera, Dutch school, 17th century
Description
- oil painting on canvas in gilt wood frame
Provenance
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
At the left of the present painting can be seen the tip of Kadikoy district, with the sea of Marmara and the Uludag mountains in the background, but it is clear that the artist's centre of attention is the Topkapi Palace. The headland on which the Topkapi Palace sits is the main feature of the landscape depicted, and even an inscription on a rock in the lower right-hand corner of the painting bears the inscription Il Seraglio de Grand Segnior ('The Palace of the Great Sultan'). An imperial architectural complex comprising various secular and religious buildings, the Topkapi palace has been depicted here with extreme attention to detail. The Baghdad Pavilion, Sultan Ibrahim's Gazebo and the circumcision chamber are clearly visible among the main buildings of the palace, which are surrounded by trees. The painting also shows the entire Saraburnu region with its many important imperial structures: the Byzantine walls surrounding the palace gardens; the sixteenth century Basket-makers' Kiosk (Sepetçiler Kasri) attached to the walls, and the Waterside Mansion Kiosk (Yali Köskü).
On the waters of the Golden Horn and the Bosphorus can be seen various ships, fishermen, and caiques carrying passengers. Foreign and local merchants alike are depicted on the Pera shore, symbolising Pera's importance as one of the foremost commerical centres of the city. The palace and surrounding buildings confirm that the painting is an early representation of the Topkapi as it was in the seventeenth century.
A comparable painting to the present example is in the Erdoğan Demirören Collection, Istanbul. Dating to the late-seventeenth century, this painting is published with the title 'View of the Imperial Palace from Pera', (see exhibition catalogue Image of the Turks in 17th century Europe, Sakip Sabanci Museum, 2005, p.118).