Lot 14
  • 14

Vincenzo Agnetti

Estimate
80,000 - 100,000 EUR
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Description

  • Vincenzo Agnetti
  • La tua immagine quando ti sostituivi
  • firmato sul retro
  • anilina, feltro inciso a fuoco applicato su tavola
  • cm 120x80
  • Eseguito nel 1971

Provenance

Collezione Tomio, Milano
Ivi acquisito dall'attuale proprietario

Condition

This work is in very good conditions. The colour is slightly more magenta compared to the catalogue illustration. No traces of retouching appear to be visible under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Se uno vende del ferro al prezzo dell'oro oppure fa un discorso colonialista facendolo passare per pacifista, è un buon venditore. Non a caso, infatti, le parole e gli oggetti venduti dal sistema ci offrono sempre due significati: uno vero, che per vanità non vogliamo leggere, e uno falso, indolore, che accettiamo con voluta complicità per sentirci storicamente validi e buoni venditori.
Vincenzo Agnetti

If a man sells iron at the price of gold or makes a colonial speech and passes it off as a pacifist one, he is a good salesman. With good reason, in fact, words and objects sold by the system always offer us two meanings: a true one, which our vanity prevents us from reading, and a false, painless one, which we accept with deliberate complicity, so that we may feel historically sound and good salesmen.

(Vincenzo Agnetti)