Hugo França

Overall in very good original condition. This screen is executed using de-commissioned canoes. As a result there are minor inherent holes and other features of the wood from its original function. With some minor surface dirt and a few minor surface scratches, possibly inherent. A rich surface imparted from the wood selection that is further enhanced by the scale and shape of the work. ---
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Hugo França began working with salvaged fallen trunks from the south Bahia rainforest in eastern Brazil.  He harnessed the natural power and presence of colossal pequi trees and translated them into superbly sculpted forms. His later series, including lot 144, are constructed utilizing decommissioned canoes from the same region.  Motivated by what he calls "minimum intervention," França's designs expand upon the indigenous practices of the Pataxó Indians, with whom he studied woodworking for over ten years.