Joaquim Tenreiro

Overall in very good condition. When viewed first-hand, the table displays a deeply sculptural presence, enhanced by intricate detailing throughout. The wood surfaces with minor surface scratches, traces of wear and minor edge abrasions throughout consistent with age and gentle use. A minor sensitively undertaken restoration along one of the long edges of the top, measuring 1 inch in length and only visible upon close inspection. The bottom of the feet with expected concentrated surface scratches and minor abrasions. The interior of the top displays an intricate geometric decoration, which was originally covered by a glass top. The edges of the table are designed with a light taper and with a light geometric shaping that adds wonderful depth of the overall shape. A dynamic design which presents with great scale when viewed first hand. ---
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Joaquim Tenreiro was born in Portugal in 1906 and moved to Rio de Janeiro at the age of two.  As an adult, he followed in the footsteps of his father, who was a joiner, and he began designing furniture in the early 1930s.  His early furniture, in the traditional styles, was manufactured by various companies, but in the early 1940s, he developed his mature modernist style which would lead many to call him the father of modern Brazilian furniture.  Internationally renowned architect Oscar Niemeyer was among Tenreiro best clients, often incorporating Tenreiro furniture into his buildings.  Tenreiro’s career as a furniture designer lasted until the late 1960s when he devoted himself almost exclusively to painting and sculpture.