Lot 42
  • 42

John Atkinson Grimshaw

Estimate
120,000 - 180,000 USD
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Description

  • John Atkinson Grimshaw
  • Autumn Gold
  • signed Atkinson Grimshaw and dated 1880+ (lower right)
  • oil on board
  • 18 1/2 by 15 in.
  • 47 by 38.1 cm

Provenance

Sale: Sotheby's, London, March 16, 1988, lot 165, illustrated
Anthony Mitchell Gallery, London
Private Collection, United Kingdom (acquired from the above)
Thence by descent

Condition

The following condition report was kindly provided by Simon Parkes Art Conservation, Inc.: This work is in beautiful condition. The board on which it is painted is flat and unbroken. There are no identifiable losses or retouches. The work should be hung in its current state.
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."

Catalogue Note

Autumn Gold is an iconic composition that showcases Grimshaw’s mastery of light and atmosphere. The sense of mystery is enhanced by the atmospheric golden glow flooding the scene, and the anonymous figure who inhabits it. The Victorian audience had a strong appetite for such romantic intrigue and it was a prevalent theme in the novels, plays and poetry of the period. Grimshaw himself was inspired by the writings of Wordsworth, Browning, Shelley and in particular Tennyson. As Alexander Robertson points out, “a few lines from Tennyson’s Enoch Arden seem to demonstrate this most succinctly:

The climbing Street, the mill, the leafy lanes,
The peacock-yew tree and the lonely Hall,
The horse he drove, the boat he sold, the chill
November dawns and dewy glooming downs,
The gentle shower, the smell of drying leaves

(as quoted in Alexander Robertson, Atkinson Grimshaw, London, 1988, p. 86)

In his paintings, Grimshaw sought to contrast the manmade and the organic – opposing forces symbolic of an age of industrialization. In Grimshaw’s time, the natural world was being tamed, confined, and destroyed like never before. In Autumn Gold, as in many of Grimshaw’s most compelling compositions, the notion of conclusion and decay is paramount, the end of the day when the sun sets and the end of the year as the trees are stripped of the leaves.