Jules Breton

Unlined; varnish appears to have slightly yellowed, very finely patterned craquelure visible. Under UV: Inpainting to address frame abrasion at upper left and right edges, spot of inpainting at upper left, additional, isolated, scattered spots in sky, a small horizontal line through the figure's neck, and isolated dashes in her skirt.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Breton’s circle of friends included both artists and art critics, and a fortunate number received his sketches as gifts; in turn, the artist received works by Henri Joseph Harpignies among others.  As suggested by its inscription, the present work was given to Charles-Olivier Merson (1822-1902), an art critic for Le Monde Illustré who supported Breton’s career. Breton loved the countryside and his painting of it was appreciated by Merson — making  Jeune femme dans les champs a particularly apt gift.  The Merson and Breton families shared a long-lasting friendship, and Charles’ son, the artist Luc-Olivier Merson (best known for his Rest on the Flight into Egypt, Museum of Fine Arts, Boston), received early training in the same studio as Breton.

Please note that this lot is sold unframed.