Lot 111
  • 111

Aimé-Jules Dalou

Estimate
25,000 - 30,000 GBP
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Description

  • Aimé-Jules Dalou
  • La Baigneuse s'essuyant le pied droit (Bather drying her right foot)
  • signed: DALOU and stamped: CIRE / PERDUE / AA HEBRARD
  • bronze, dark brown patina, on a veined green marble base

Condition

Overall the condition of the bronze is very good with minor dirt and wear to the surface consistent with age. There are a few areas of dryness to the patina, including to the woman's proper left leg, thigh and buttock. There are a few small chips and abrasions to the edges and corners of the marble base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Dalou was fascinated with the subject of the female nude and worked and re-worked the composition, representing nudes before and after the bath, towelling themselves, standing, seated, taken by surprise or removing their stockings. These intimate figures were the preserve of Dalou's private collectors as they were never exhibited at the Royal Academy or the Salon. This Baigneuse is distinguished by her voluptuous figure and natural ease of movement, and is a particularly fine Hébrard cast.

RELATED LITERATURE
A. Simier, Jules Dalou. Le sculpteur de la République, exh. cat. Petit Palais - Musées des Beaux-Arts de la Ville de Paris, Paris, 2013, p. 384, no. 312