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Tolkien, J.R.R.
Description
- ink and paper
Literature
Catalogue Note
While serving in the trenches in WWI, Tolkien conceived of these tales set in a “secondary World,” for consolation and pleasure; they developed over a period of forty years into an epic narrative.
Tolkien, a well-respected philologist who published many articles and several significant translations of Old English texts, began The Hobbit (1937) as a study in the creation of language. His development of “Elvish” grew into his first fantasy book, and resulted in this enduring trilogy. The Lord of the Rings has been read as an allegory for multiple good-versus-evil conflicts: post-World War I and the rise of Hitler; Christian myth; even the environment, with the Dead Marshes reflecting Tolkien’s despair over the desolation wreaked by military technology. Tolkien refutes these speculations in his preface to the 1965 edition: “As for any inner meaning or ‘message,’ it has in the intention of the author none. It is neither allegorical nor topical.”
In his essay “On Fairy-Stories,” Tolkien spells out his purpose in writing about an imaginary world:
The peculiar quality of the “joy” in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. It is not only a “consolation” for sorrow of this world, but a satisfaction, and an answer to that question, “Is it true?” The answer to this question that I gave at first was (quite rightly): “If you have built your little world well, yes: it is true in that world.”