Fenning, B.

3 volumes, 4to (264 x 223mm.), four drawings signed “B. Fenning 1834”, pencil captions in the artist’s hand giving English and Latin names, many drawings interleaved with manuscript notes and poetic quotations in another hand, contemporary half morocco, spines numbered I, II and IV, bindings somewhat worn, one cover detached

sale in these rooms, 27 June 1991, lot 112

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

These exquisitely detailed vignettes are apparently the work of a talented amateur. Little is known of the artist, but the contemporary ownership inscription of Harriet Roberts of Gildersome, Leeds suggests that he may have lived in the West Riding of Yorkshire (see also lot 21). Roberts was evidently a keen natural historian, and was a subscriber to Curtis's British Entomology.