- 85
Brian Hamill
Estimate
5,000 - 7,000 USD
Log in to view results
bidding is closed
Description
- Brian Hamill
- Manhattan
- signed and editioned 4/25 in ink in the margin
- archival pigment print
- 24 by 36¾ in.; 61 by 93.3 cm.
- Executed in 1978, printed later.
digital archival pigment print, signed and editioned '4/25' in ink in the margin, framed, 1978, printed later
Condition
This photograph is in generally excellent condition.
This photograph is framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The enduring image offered here, by the prolific photographer Brian Hamill, was used on the poster for the theatrical release of Woody Allen’s Manhattan (1979). Of this scene, Hamill has said, ‘We were on East 58th near the end of the street. It was almost dawn. The 59th Street Bridge loomed large in the background with its existing lights defining it in a majestic, urban way. Other elements in the foreground included an unlit lamppost, a "prop" bench, a concrete potted tree, and a fence. After a long "walk and talk" scene, Diane Keaton and Woody end up sitting on the bench with a dachshund named Waffles under it.’