- 30
LeRoy Neiman
Estimate
2,000 - 3,000 USD
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Description
- Leroy Neiman
- New York City 1955
- signed in pencil and numbered 10/25
- photogravure on Kitikata Natural appliqué on Pescia Smooth Soft White paper
- appliqué: 11 5/8 by 19 3/4 in.; 39.5 by 50.2 cm.
- sheet: 20 1/4 by 26 1/2 in.; 51.5 by 67.2 cm.
- Executed in 1955, this work is number 10 from the edition of 25.
Provenance
The LeRoy Neiman Center for Print Studies at Columbia University
Condition
The print is in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
photogravure on Kitikata Natural appliqué on Pescia Smooth Soft White paper
with the blindstamp of the printer and publisher, LeRoy Neiman Center for
Prints Studies
with the blindstamp of the printer and publisher, LeRoy Neiman Center for
Prints Studies