- 119
Carlo Fornara
Estimate
40,000 - 60,000 EUR
Log in to view results
bidding is closed
Description
- Carlo Fornara
- Aratura in Argentina o La conquista della terra ( Labourage en Argentine ou La conquête de la terre)
- Signé en bas à droite C Fornara ;
Inscrit au dos par l'artiste questo quadro fu dipinto da me nel 1916. In fede C.Fornara. Prestinone 7.6.1960 ;
Au dos ancienne étiquette de la Galleria d'Arte Edmondo Sacerdoti, Milan - Huile sur toile
- 56 x 81,5 cm ; 22 x 32 in
Provenance
Galleria Grubicy (jusqu'en 1919), Milan-Paris;
Domodossola (jusqu'en 1964);
Collection Pozzi (jusqu'en 1967), Novara;
Collection Paolo Cattaneo (jusqu'en 1980), Oggiono
Domodossola (jusqu'en 1964);
Collection Pozzi (jusqu'en 1967), Novara;
Collection Paolo Cattaneo (jusqu'en 1980), Oggiono
Exhibited
Arte e Socialità in Italia dal Realismo al Simbolismo, Milan, Società delle Belle Arti ed Esposizione Nazionale, 1979, n.77;
Una scuola di pittura in Valle Vigezzo, 1881-1919: Carlo Giuseppe et Enrico Cavalli, Giovanni Battista Ciolina, Carlo Fornara, Turin, Circolo degli artisti, Mars-Juin 1990, n.117, p.221;
Carlo Fornara. Un maestro del Divisionismo, Milan, Museo della Permanente, 5 Mai-6 Juin 1999, p.101, n.60
Una scuola di pittura in Valle Vigezzo, 1881-1919: Carlo Giuseppe et Enrico Cavalli, Giovanni Battista Ciolina, Carlo Fornara, Turin, Circolo degli artisti, Mars-Juin 1990, n.117, p.221;
Carlo Fornara. Un maestro del Divisionismo, Milan, Museo della Permanente, 5 Mai-6 Juin 1999, p.101, n.60
Literature
A.Locatelli Milesi, Fornara, “I grandi maestri del colore”, Institut Italien d’Art Graphique, Bergame, Janvier 1939, p.7;
R. Calzini, Carlo Fornara, s.d., (1949?), p.26, pl. XXXIV
U.Galletti-E. Camesasca, Enciclopedia della pittura italiana, Garzanti, Milan 1951, p.138;
Catalogo Bolaffi della pittura italiana, Bolaffi Editore, Turin 1963, p.186;
W. George, Fornara. Divisionnisme – Impressionisme, Cino del Duca edit., Paris 1966, p.10;
F.Bellonzi-T. Fiori, Archivi del Divisionismo, Officina Edizioni, Rome 1969, vol.II, II.154, pl. 1606;
M. Dalai Emiliani, Il simbolismo nell’opera di Carlo Fornara, “Illustrazione Ossolana”, n.3, 1971, p.6;
C. Mattei, Carlo Fornara, supplément dans “illustrazione Ossolana”, n.3, 1971, pp.74-75
M. Valsecchi- F.Vercellotti, Carlo Fornara pittore, Scheiwiller, Milan 1971, pl. 93;
M. Poggialini Tominetti, catalogue Carlo Fornara dans “Arte e Socialità in Italia dal Realismo al Simbolismo, 1865-1915”, catalogue de l'exposition, Milan 1979, n.77, p.123
R. Calzini, Carlo Fornara, s.d., (1949?), p.26, pl. XXXIV
U.Galletti-E. Camesasca, Enciclopedia della pittura italiana, Garzanti, Milan 1951, p.138;
Catalogo Bolaffi della pittura italiana, Bolaffi Editore, Turin 1963, p.186;
W. George, Fornara. Divisionnisme – Impressionisme, Cino del Duca edit., Paris 1966, p.10;
F.Bellonzi-T. Fiori, Archivi del Divisionismo, Officina Edizioni, Rome 1969, vol.II, II.154, pl. 1606;
M. Dalai Emiliani, Il simbolismo nell’opera di Carlo Fornara, “Illustrazione Ossolana”, n.3, 1971, p.6;
C. Mattei, Carlo Fornara, supplément dans “illustrazione Ossolana”, n.3, 1971, pp.74-75
M. Valsecchi- F.Vercellotti, Carlo Fornara pittore, Scheiwiller, Milan 1971, pl. 93;
M. Poggialini Tominetti, catalogue Carlo Fornara dans “Arte e Socialità in Italia dal Realismo al Simbolismo, 1865-1915”, catalogue de l'exposition, Milan 1979, n.77, p.123
Condition
Under naked eye : the painting appears in very good condition; it is on its original canvas. The photography is a bit bluer than the painting itself.
Under Uv light: the painting appears under a thick varnish and a few tiny retouches are visible in the dark part of the foreground
The painting is in very good condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."