Lot 61
  • 61

Lennon, John

Estimate
50,000 - 70,000 USD
Log in to view results
bidding is closed

Description

  • Lennon, John
  • 'The Singularge Experience of Miss Anne Duffield', autograph manuscript
  • ink on paper
fair copy with occasional corrections, blue then black ink (the author having changed pen four lines from the bottom of the fifth page), text on rectos only, nine pages, 4to (10 1/2 x 8 1/4 in.; 268 x 208 mm, "Extra Strong" watermark), lightweight writing paper, the sixth leaf torn in two and repaired with adhesive tape, other nicks and tears at edges, some creasing

Condition

see catalog
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"Jack the Nipple ... is not only a vicious murderer but a sex meany of the lowest orgy"

The manuscript of John Lennon's bizarre and hilarious parody of Sherlock Holmes, published on pp.24-33 of A Spaniard in the Works. This short story was described by the author as "The longest thing I've written" (interview 18 June 1965), and this is one of the most extensive Lennon manuscripts in existence. Like many of the pieces in Spaniard, the wordplay is more obscene than In His Own Write (for example the great detective's residence is here sited on "Bugger St") and the story - such as it is - revolves around the killing of a prostitute, Mary Atkins, murdered in her "happy humping ground" by "Jack the Nipple" who is looking for revenge on the women who gave him the "dreadfoot V.D. (Valentine Dyall)". The cruel side of Lennon's humor is in evidence both in the wordplay - as when Jack vows to "kill them all womb by womb" - and in the description of the prostitute:

"...Mary Atkins pruned herselves in the mirrage, running her hand wantanly through her large blond hair. Her tight dress was cut low revealingly three or four black heads, carefully scrubbed on her chess. She addled the final touches to her makeup and fixed her teeth firmly in her head..."

It is also among the funniest of Lennon's compositions, for example in Shamrock Womlbs's repeated explanations to the befuddled Whopper: 

"But how do you know Womlbs?"
"Alibabba my dead Whopper, I have seen the film."

or: "How did you guess?" I inquired all puzzle
"Alecguiness my deep Whopper, the mud on the inspectres' left, and also the buttock on his waistbox is misting."

"Lennon recalled the composition of this piece in a 1968 interview:

"I had a holiday after we first made it big as Beatles in Tahiti, and there was nothing on the boat but books. And Tahiti and all those Islands, great, but I still got into reading, so I was writing Spaniard in the Works and I knew, I never got past a story longer than a page, so I read a whole stack, sort of ‘The Madman’s Sherlock Holmes'  where you get all the stories in one and I realised that every story was the same story, so I just wrote one Shamrock Womlbs after three weeks of Sherlock Holmes in Tahiti. And that was the end of it." (for BBC television, Release, 6 June 1968)

This holiday took place in May 1964, in other words less than two months after the publication of In His Own Write, and George Harrison also remembered Lennon's writing whilst in Tahiti: "I remember coming up with a lot of little phrases while he sat at the table making it up and speaking it out. If anybody said anything it would go in the book." (Anthology, p.135). Lennon even appropriated names from those around him: one character in the story, "Sydnees Aspinall", takes his surname from the Beatles' personal assistant, Neil Aspinall.