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Rare sgraffito glazed red earthenware plate with tulips and flowers in vase, John Monday (1809-1862) Haycock Township, Bucks County, Pennsylvania, dated 1830
Description
- SGRAFFITO PLATE WITH TULIPS AND FLOWERS IN VASE
- Glazed red earthenware
- 2 by 10 3/4 in. diam.
- 1830
Provenance
Literature
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This plate is attributed to Monday based upon the similarity of several aspects of the pattern design and execution of its sgraffito decoration to one signed example in the collection of the Philadelphia Museum of Art. Each features a thick, opaque white slip ground, which was removed in areas, such as the panels of the pinwheel devices, stylized tulips, and urn, to reveal the red clay body underneath, The carving tool consistently left 1/8-inch wide, flat, shallow blade scars in the clay which are visible through the clear lead glaze. Monday also seems to have used a thinly edged coggle wheel to score in the slightly scalloped, segmented lines forming the stems and outlines of flowers. The stems of these flower designs also incorporate a slight, hollow swell near the flower blossom. The form of tulip seen on this example, with long, thinly carved petals of two different lengths and coggled outlines enclosing a green center with an elongated, feathered stamen, is also characteristic of his sgraffito patterns. A number of other potters and apprentices worked with Monday in the pottery, including both his sons, Edmund and David, and German immigrant potters Mathias Myer and Charles Moritz. Consequently, we may never truly know the specific primary hands involved in the making of individual examples, even when they bear the signature of the master potter. –J.L.L.