- 18
Ferdinand Hodler
Estimate
15,000 - 20,000 CHF
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Description
- Ferdinand Hodler
- Das Rütli
- Unten links signiert
- Öl auf Karton
- 31.5 x 46.5 cm
Provenance
Direkt aus der Familie des Künstlers (durch Erbschaft)
Exhibited
Pfäffikon, Seedamm-Kulturzentrum, Der Frühe Hodler, 1981
Steffisburg, Kunstsammlung/Lugano, Museo civico di belle arti/Martigny, Fondation Pierre Gianadda, Ferdinand Hodler als Schüler von Ferdinand Sommer, 1983
Martigny, Fondation Pierre Gianadda, Ferdinand Hodler, 1991, Nr. 4 (Le Grutli, 1871)
Langenthal, Kunstverein Oberaargau, Ferdinand Hodler und der Oberaargau, 1992, Nr. 12 (Das Rütli, 1871)
Steffisburg, Kunstsammlung/Lugano, Museo civico di belle arti/Martigny, Fondation Pierre Gianadda, Ferdinand Hodler als Schüler von Ferdinand Sommer, 1983
Martigny, Fondation Pierre Gianadda, Ferdinand Hodler, 1991, Nr. 4 (Le Grutli, 1871)
Langenthal, Kunstverein Oberaargau, Ferdinand Hodler und der Oberaargau, 1992, Nr. 12 (Das Rütli, 1871)
Literature
Ferdinand Hodler als Schüler von Ferdinand Sommer, Ausstellungskatalog, Thun 1984, S. 61, Abb. 78 (Das Rütli, 1871) u. S. 158
Jura Brüschweiler, "Hodlers Schweizer Historienbilder - heute?", in: Der kleine Bund, 1991, S. 1, abgebildet (in Farbe) (Rütli, 1871)
Oskar Bätschmann/Paul Müller, Ferdinand Hodler, Catalogue raisonné der Gemälde, Die Landschaften, Bd. I, Zürich 2008, S. 99, Nr. 36, abgebildet (in Farbe)
Jura Brüschweiler, "Hodlers Schweizer Historienbilder - heute?", in: Der kleine Bund, 1991, S. 1, abgebildet (in Farbe) (Rütli, 1871)
Oskar Bätschmann/Paul Müller, Ferdinand Hodler, Catalogue raisonné der Gemälde, Die Landschaften, Bd. I, Zürich 2008, S. 99, Nr. 36, abgebildet (in Farbe)
Condition
Scattered, minor craquelure, most notably to the lower left. Scattered, minor foxing, most notably in the sky.
Under uv-light scattered very small retouchings visible near the centre, left edge, two near the mountain peak, some in the sky, one to the right in the rock near the sailboat, one in the upper right corner and minuscule ones in the lake.
Very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Gemalt um 1871.
Dieses Gemälde ist im Schweizerischen Institut für Kunstwissenschaft SIK-ISEA unter der Nummer 14539 inventarisiert.