- 12
Giovanni Segantini
Estimate
70,000 - 90,000 CHF
bidding is closed
Description
- Giovanni Segantini
- Il frutto dell'amore, 1892
- Unten rechts signiert und datiert
- Bleistift, Rötel und Goldpuder auf Papier
- 49 x 31 cm (Lichtmass)
Provenance
Galleria Grubicy, Milan (bis 1913)
Sammlung Heinz Blöchlinger, St. Moritz
Christie's, Zürich, 19.06.2001, Nr. 21
Sammlung Heinz Blöchlinger, St. Moritz
Christie's, Zürich, 19.06.2001, Nr. 21
Exhibited
Milan, Galleria Alberto Grubicy, Mostra collettiva Segantini, 1906
St. Moritz, Maison de vente Lino Pesaro, Expositions et vente des tableaux de Giovanni Segantini à St. Moritz, 1913
Chur, Bündner Kunstmuseum, Giovanni Segantini - Zeichnungen, 2004, Nr. 53, S. 114, abgebildet (in Farbe)
Riehen, Fondation Beyeler, Segantini, 2011
St. Moritz, Maison de vente Lino Pesaro, Expositions et vente des tableaux de Giovanni Segantini à St. Moritz, 1913
Chur, Bündner Kunstmuseum, Giovanni Segantini - Zeichnungen, 2004, Nr. 53, S. 114, abgebildet (in Farbe)
Riehen, Fondation Beyeler, Segantini, 2011
Literature
Franz Servaes, Giovanni Segantini: Sein Leben und sein Werk, Wien 1902, S. 69
Galleria Alberto Grubicy, Mostra collettiva Segantini, Ausstellungskatalog, Previati 1906
Maison de vente Lino Pesaro, Expositions et vente des tableaux de Giovanni Segantini à St. Moritz, Ausstellungskatalog, Milan 1913
Auktionskatalog, Christie's, Zürich 2001, Nr. 21, abgebildet (in Farbe)
Fondation Beyeler, Segantini, Ausstellungskatalog, Riehen 2011, S. 168, S. 122, abgebildet (in Farbe)
Galleria Alberto Grubicy, Mostra collettiva Segantini, Ausstellungskatalog, Previati 1906
Maison de vente Lino Pesaro, Expositions et vente des tableaux de Giovanni Segantini à St. Moritz, Ausstellungskatalog, Milan 1913
Auktionskatalog, Christie's, Zürich 2001, Nr. 21, abgebildet (in Farbe)
Fondation Beyeler, Segantini, Ausstellungskatalog, Riehen 2011, S. 168, S. 122, abgebildet (in Farbe)
Condition
Work not unframed.
Very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Vorliegende Zeichnung beruht auf einem Ölgemälde von 1889, Il frutto dell'amore, welches heute Teil der Sammlung des Museums für bildende Künste in Leipzig ist.
Nebst vorliegender Zeichnung existieren zwei sehr ähnliche, wovon sich eine in der National Gallery of South Australia in Adelaide befindet und die andere in einer Privatsammlung.
Nebst vorliegender Zeichnung existieren zwei sehr ähnliche, wovon sich eine in der National Gallery of South Australia in Adelaide befindet und die andere in einer Privatsammlung.