L14314

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Lot 183
  • 183

Probably South German, circa 1590

Estimate
7,000 - 10,000 GBP
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Description

  • Reliquary
  • gilt bronze and rock crystal, mounted with rubies
  • Probably South German, circa 1590
inscribed: F.P.D.A. ANO 90 and SVSPICE CAELVM ET INTVERE ET CONTEMPLA RE AETHERA. IOB. XXXV. on the base and: SECTER ANRARA, STIBUR CIA MAR, S. SVB CIO MAR to the frames around the receptacles

Provenance

Gift from Johannes, Count Moÿ de Sons (1902 - 1995), Schloss Anif, Salzburg

Condition

Overall the condition of the reliquary is good with some wear and dirt to the surface consistent with age. The object was made in sections; some are loose, including the top section, the relic, the larger columns and one of the legs. A number of the legs have possibly been affixed later with lead. There is some greening to the bronzes, including at the underside and the top of one of the columns. There are small chips to the lower edges of the larger columns.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The unusual shape of the present reliquary seems to be inspired by the so-called ‘Türmchenuhren’. The main production centres of the ‘Türmchenuhren’ were Nuremberg and Augsburg. This type of table clock achieved great popularity in the Renaissance era and formed a fixed element of the ‘Kunstkammer’.