Lot 120
  • 120

The Rolling Stones

Estimate
1,000 - 2,000 USD
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Description

  • The Rolling Stones
  • Proof sheet of Beggars Banquet rejected album cover. 1968
  • Ink and paper
26 1/2 x 14 1/2 in; 673 x 368 mm. Printed in colours. 2 copies of both side of the cover, designed by Tom Wilkes and photographed Barry Feinstein. 

Provenance

From the collection of former Decca executive  Allan Steckler

Condition

clean
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Rare suppressed original album art

"The Rolling Stones are are in a head-on battle with their American (and possibly their English) record company over the artwork for the cover of their next album, Beggar's Banquet. The front and back cover of the double-fold album is a photograph of a bathroom wall. On it, the Stones, particularly Mick, have scrawled a variety of fantastically funny things, including the album title, the name of the group (underneath the name of the group it says "God Rolls His Own), credits, appropriate line drawings, slogans like "Wot, No Paper?" and "Music From Big Brown." That's the least of it. It is a fantastic thing, altogether, very Rolling Stones-ish and a beautiful record jacket" wrote Rolling Stone magazine on 28 September 1968.

The cover would have been the the first cover not to feature a band photograph. The record label in the U.K. (Decca) and the U.S. label, London Records, both rejected the bathroom grafitti as too controversial. The band lost the legal battle and the chosen cover was finally a formal party invitation.