- 86
Jean-Baptiste-Marie Pierre
Description
- Jean-Baptiste-Marie Pierre
- The rape of Europa
- oil on paper, mounted on canvas
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Pierre painted this subject on several occasions throughout his career, most notably the grand canvas, now in the Dallas Museum of Art, that he painted in 1750 to complete the salon decoration of his friend and patron Claude-Henri Watelet. Some years later, in 1757, he returned to the subject again with a tapestry cartoon for the series Amours des Dieux, commissioned by the king as a gift for the marquis de Marigny. Other artists involved in this series, which was woven at the Gobelins manufactory, included Joseph-Marie Vien, Carl Vanloo and François Boucher. Pierre’s cartoon, formerly in the Musée d’Arras, was destroyed in World War I and the composition is known today from a red chalk drawing in the collection of the Metropolitan Museum of Art (acc. no. 1982.190). In the cartoon, Pierre chose to depict the part of story with Europa still on the shore with her retinue. Two other versions by Pierre that depict variations on the final cartoon appeared on the French art market in 2002 and 2008.1
The present work is possibly identifiable with a lost sketch depicting the Rape of Europa which was recorded in French sales in 1784, 1785 and 1810 which, according to Nicolas Lesur, was a preparatory sketch for the Gobelins cartoon.2 The measurements for that work are 15 pouces by 15 pouces and a half (approximately 42 by 43.4 cm.), which correspond very closely to those of the present oil sketch. Though differing substantially from the final cartoon, certain elements are quite similar, such as the simple costume of Europa with bared breast, and the eagle above with fully outstretched wings.
1. See Paris, Sotheby’s, 27 June 2002, lot 28 and Paris, Vente Chayette et Cheval, 12 June 2008, lot 12.
2. See N. Lesur, Jean-Baptiste Marie Pierre 1714-1789, Premier peintre du roi, Paris 2010, p. 284, cat. no. P.194.