Lot 360
  • 360

After Anselme Flamen (1647-1717) French

Estimate
15,000 - 35,000 USD
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Description

  • Diana the Huntress
  • bronze
  • After Anselme Flamen (1647-1717) French

Provenance

art market, London and New York, acquired in 1999
on long-term loan to the Philadelphia Museum of Art

Exhibited

Daniel Katz, European Sculpture, May 6-21, 1999, cat. no. 12 (there given to Corneille van Cleve)
Geneviève Bresc-Bautier, Guilhem Scherf, and James David Draper, eds., Cast in Bronze, French Sculpture from Renaissance to Revolution, Musée du Louvre Éditions, Paris, 2009, no. 99

Condition

Dark brown lacquer over golden-brown patina. Standard wear and surface abrasions.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Guilhem Scherf attributed this sculpture to Anselme Flamen on the basis of its similarity to the artist's series of figures, Companions of Diana, executed for the park at Marly.

Flamen, appointed professor at the French academy in 1701, exhibited a bronze sculpture of Diana at the Louvre in 1704 which is now lost. The presence of a tree trunk support in this cast, an unnecessary addition to a small bronze statuette, almost certainly indicates that it was cast from a model for a much larger marble group where a support would distribute the weight of the marble over a wider surface.