Lot 84
  • 84

Hubert Robert

Estimate
5,000 - 7,000 USD
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Description

  • Hubert Robert
  • Two gentlemen conversing
  • Red chalk

Provenance

Louis Deglatigny (L.1768a)

Condition

Laid down. The sheet has been cut from a larger sheet (most probably including other figure studies) and here the one figure is sligthly silhoutted. The lower right corner of sheet is missing and the tip of the left corner is also missing. There is faint brown staining at the outer edges of the backing sheet. Otherwise the red chalk remains extremely fresh and vibrant. Sold framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This drawing and those in lots 86 and 87 are all figure studies that surely originate from larger sheets containing multiple figures.  It is evident in all three lots that the sheets have been cut down and in some cases small areas have been silhouetted against the backing paper. The process of cutting the sheets to obtain individual figures was common practice among collectors.  Sometimes these single figure studies were later reassembled, like a collage, as in the sheet of Studies of figures from the Roman streets, sold in 1999.1  That sheet also came from the collection of Louis Deglatigny, whom Lugt recorded as owning a series of Hubert Robert drawings that were eventually dispersed through his various posthumous sales in 1937.

Robert made these figure studies to build up, in time-honoured fashion, a repertory of poses to which he could look for examples to use in both his paintings and drawings; see lots 86 and 87 for examples of such connections with finished compositions.

1.  Sale, New York, Christie's, 28 January 1999, lot 146