Neapolitan School, 17th Century

Once glued around the margins, the paper has now buckled and wrinkled. Two traces of old folds running horizontally at the top and in the middle of the sheet. Paper has slightly discolored. Slight foxing especially at the top margin.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

These three head studies seem closely inspired by the work of Ribera but do not correspond to any known work by him.  The artist may have conceived them for an engraving.  The drawing is accurately executed with a delicate use of the red chalk.  The name of Cesare Fracanzano has been suggested, on the basis of comparison with paintings such as The Satyr's Family and Two Satyrs with a winged putto.¹

1.  N. Spinosa, Pittura del Seicento a Napoli da Caravaggio a Massimo Stanzione, Naples 2010, pp. 278-79, cats. 204-5