Philip Mercier

The canvas has a fairly recent relining, which is a little uneven but still sound. The paint surface appears in very good overall condition. There is an old area of repair, approx 5 x 5 cm in the upper right hand corner, and a small diagonal 8 cm old repaired tear extending in from the edge just below this. The only other repairs are an old vertical 10 cm tear or scratch in the cheek of the nearest figure on the left, and a patch of old repair some 5 x 5 cm inthe lower right hand corner. The remainder of the painting appears in excellent fresh condition, and ultra violet light reveals almost no further intervention. The repairs have now discoloured and are beginning to become visible to the naked eye but are not obtrusive. The varnish layer is a little yellowed but remains clear and even. Offered in a gilt wood frame in the English style in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Dr John Ingamells, who saw this picture in 1994, dated the painting to circa 1738–40.