Follower of Sebastian Vrancx

The canvas has an old relining. Inspection under ultraviolet light shows quite extensive restoration - the sky has been almost entirely re-painted, as has the building on the left of the picture and lower parts of the central ruins. In addition there have been extensive repairs to the figures and foliage on the right hand side and to numerous details in the piazza and surrounding buildings. Offered in an ebonized wooden frame with a gilt sight edge, with numerous damages. and repairs.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The composition derives from Vrancx's many versions of an Allegory of winter, painted as part of a cycle depicting the four seasons. The iconography of Vrancx's Four Seasons can be traced back to the calender illustrations for medieval books of hours in which saints' days and other religious feasts were listed by month and illustrated with paintings of specific activities connected with that month. The tradition of illustrating the seasons continued into the 16th and 17th centuries and was popularised by the works of Pieter Brueghel.