L14040

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Lot 197
  • 197

Edward Lear

Estimate
5,000 - 7,000 GBP
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Description

  • Edward Lear
  • The Bingemma Valley, Malta
  • Watercolour heightened with bodycolour;
    signed with the artist's monogram lower left
  • 102 by 202 mm

Provenance

With The Fine Art Society, 1988

Exhibited

London, The Fine Art Society, A Centenary Exhibition, 1988

Condition

This watercolour has been well preserved. Several of the pigments have faded a little and there is some minor discolouration to the sheet. The work is laid down onto its original backboard. For further information on this watercolour please contact Mark Griffith-Jones on 0207 293 5083 or mark.griffithjones@sothebys.com
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

In this watercolour Edward Lear looks north into the wooded valley of Bingemma, which is located in north-western Malta. Beyond, sunlit plains stretch away to the Mediterranean Sea, while to the left the 17th Century Kappella Bingemma stands precariously on its rocky out-crop. Dotted throughout the cliffs, are a series of enigmatic caves which are thought to have been dug out in pre-historic Phoenician times for the storage of food and materials.

Lear first visited Malta in 1848 and between then and 1866 he returned a further five times. He certainly explored the landscape of the present watercolour in 1854, as a drawing of the chapel and the surrounding valley survives in a private collection.