L14040

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Lot 159
  • 159

Edward Lear

Estimate
3,000 - 5,000 GBP
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Description

  • Edward Lear
  • View of Edfu, Egypt
  • Pen and brown ink and watercolour over traces of pencil;
    inscribed lower left: Edfoo.26. Janr.1854 .9 ½ .A.M. 132, and further inscribed with the artist’s colour notes
  • 68 by 152 mm

Condition

The colours have remained very strong in this work. There is some very minor foxing but this can only be seen on very close inspection. The work has not been laid down. For further information on this lot please contact Mark Griffith-Jones on 0207 293 5083 or mark.griffithjones@sothebys.com.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones and to the Notice regarding import of Burmese jadeite and rubies into the US.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Lear drew this watercolour on 26th January 1854 while on his second expedition to Egypt.  During this tour he travelled by boat up the Nile, stopping at ancient landmarks such as Kom Ombos, Silsilis and Edfu.  Lear was captivated by the astonishing Egyptian scenery and remarked ‘in no place, it seems to me, can the variety and simplicity of colours be so well studied.’1

1. Edward Lear, Diary, 25 February 1867