L14040

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Lot 155
  • 155

Adolph Friedrich Erdmann Menzel

Estimate
5,000 - 7,000 GBP
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Description

  • Adolph Friedrich Erdmann Menzel
  • Man Picking Fruit, with Hand Studies
  • Carpenter's pencil;
    signed with initials lower left
  • 12.5 by 20.3cm

Provenance

Sale, New York, Christie's, 27 May 1992, lot 72,
purchased at the above sale by the late owner

Literature

Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski, exh. cat., Berlin, 1999, p. 411, reproduced;
The Timeless Eye. Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection, exh. cat., Berlin, 1999, p. 411, reproduced

Condition

The sheet has not been fully laid down but is attached at points along the edges to the backboard. The sheet has slightly yellowed with age though less so at the left, right and extreme lower edges suggesting these were possibly covered by a previous mat. This work is in good overall condition and the medium strong. Presented framed and glazed, the edges of the sheet visible and not covered by the mat. For any questions regarding this lot please contact Richard Lowkes in the 19th Century European Paintings department on 020 7293 5477.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The authenticity of this work has been confirmed by Marie Ursula Riemann-Reyher.