Gratius, Ortwinus (editor)

folio (293 x 188mm.), title within historiated woodcut borders dated 1531, woodcut initials, eighteenth-century speckled calf, spine gilt in compartments, speckled edges, final leaf repaired in gutter, binding slightly rubbed, joints cracked

François-Antoine-Étienne Bruynincx (1719-1791), archdeacon of Antwerp, engraved bookplate by Louis Fruijtiers with the motto "Incubando fovet", his library sold at auction in Antwerp 10 October 1791; R.W. Swarts (?), inscription on verso of flyleaf

Mendham F31; VD16 G2924

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A compilation of documents and accounts, from the era of Wyclif and Hus, via the Councils of Basel and Constance, up to Gratius's own time, producing arguments in favour of moderate reform of the Church from within, in the manner of Erasmus. Gratius worked as a corrector for Quentel's press. For another work by Wyclif, see lot 65.

The title-page border was designed by Anton Woensam of Worms, and was first used for this publication. On the sides are portraits of the Evangelists with the four Fathers of the Church, at the top is a wrathful God enthroned, and at the foot is the largest panel with portraits and armorials of Charles V and his brother Ferdinand I with smaller armorials of the seven electors. It could be surmised that the woodcuts support the import of the text, indicating that Church reform should be carried out from within the Church, beneath the Majesty of God, with support from the Evangelists and Church Fathers, and with the patronage of earthly rulers.