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Aesop
Description
- Aesop
- Esopi appologi sive mythologi cum quibusdam carminum et fabularum additionibus Sebastiani Brant. (Basel: Jacobus Wolff de Pforzheim, 1501)
- Paper
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Sebastian Brant's new section of 140 fables follows the same structure as the first section, with a woodcut followed by verse and then prose, as originally compiled by the German medic and humanist Heinrich Steinhöwel for the c.1476 Ulm edition of Aesop (Steinhöwel was instrumental in Johann Zainer's decision to set up a press in Ulm). The Ulm edition was in both Latin and German, presumably to appeal to a wider audience (which worked as the book proved very popular), but for this edition Brant uses only Latin, the language of humanism (he polishes some of Steinhöwel's Latin phrasing and moderates the coarser or more salacious passages; the book was, after all, dedicated to his son), and expands the collection well beyond Aesop's animal fables.
The numerous woodcuts in this volume fall into two distinct categories. The woodcuts in the first part (with a few exceptions) are rather simplistic and naive in execution and are based (in reverse) on the woodcuts from Zainer's successful Ulm edition of c.1476 (incidentally the first illustrated edition of Aesop); the actual blocks were first used in Wolff's edition of not after 1489 (Goff A115). The woodcuts of the second part are more sophisticated, with the use of hatching and perspective to enliven the images, and they were cut specifically for this edition; is it thought they were produced by the workshop of Johann Grüninger in Strassburg.