Lot 376
  • 376

Arifien Neif

Estimate
250,000 - 380,000 HKD
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Description

  • Arifien Neif
  • Procession
  • Signed and dated 91
  • Oil on canvas
  • 200 by 300 cm.; 78 3/4 by 118 in.

Literature

Amir Sidharta, Dipika Rai, Arifien: The Life and Fantasy of an Emerging Indonesian Painting, Museum Universitas Pelita Harapan Press in cooperation with Galeri Santi, Indonesia, 1997, p.39

Condition

The work is in good condition overall, as is the canvas, which is clear and sound. There is evidence of light wear and handling around the edges of the painting, but the paint layers are healthy and well-preserved. Examination under ultraviolet light shows no sign of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The largest painting by Arifien ever to be offered at auction, Procession is a rare work by the artist with note-worthy provenance. The work is painted in 1991 during The New Order when Indonesia enjoyed a short period of stability.  “I do not paint beauty, I add to reality1  is a motto that Arifien embraced; and it is this very approach that allowed him to capture beyond what is immediately pleasing to the eyes. The subtle exaggerations in his figures and the non-realistic employment of colors communicate the emotive qualities within his pictorial space. In the present painting, the figures unravel rhythmically across the canvas. The deliberately caricatured bodies with thick, heavy bodies and elongated arms are typical of Arifien’s unique aesthetic vocabulary. Playing with the proportions, the artist narrates the scene through hyperbolic gestures. The interlocking figures metaphorically represent the strong sense of unity as they participate in the ceremony. Rendering the composition in a highly stylized fashion, Arifien reveals influences from the post-impressionists French master, most notably Matisse and Gauguin. “Like a story half-told, the finale is clouded and sometimes unexpressed, leaving the observer hungering for more… His subjects hold secrets beg to be explored by those who are attached to his work.”2

              

1Amir Sidharta, Dipika Rai, Arifien: The Life and Fantasy of an Emerging Indonesian Painting, Museum Universitas Pelita Harapan Press in cooperation with Galeri Santi, Indonesia, 1997, p. 51

2Refer to 1