Nasirun

The work is in good condition overall, as is the canvas, which is clear and taut. Upon close observation, there is evidence of light wear and handling, but the paint layers and impastos are healthy. Examination under ultraviolet light shows no sign of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

 “My father used to pray intently (zikir) to make closed relationship with God, but I use the brush and canvas” - Nasirun

The present painting Sumantri Dadi Rojo (Sumatri Becomes King) depicts a scene from the Javanese wayang kulit, also known as the shadow puppet theatre. The Dalang, or shadow artist, manipulates carved leather figures between the lamp and the screen to bring the shadows to life. The ancient form of performing art is believed to serve as a bridge to the deceased ancestors, whose souls could shield them from evil. The amalgamation of intense colors in the painting represents the culminating moment when Sumantri assumes power. In the background is the waterfall of red washes, which symbolizes the end of a battle and metaphorically represents the triumph of the new king. The colossal Sumantri ascends at the center, while the defeated puppet-warriors trickle beneath.