Lot 218
  • 218

Arin Dwihartanto Sunaryo

Estimate
300,000 - 500,000 HKD
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Description

  • Arin Dwihartanto Sunaryo
  • CMYK Bucket Splash
  • Signed and dated 2011 on the side of each panel; signed and dated 2011 on the reverse of each panel 
  • Pigmented resin mounted on wood, in 4 parts (quadriptych)
  • Each: 168 by 169 cm; 66 by 66 1/2 in. (4)
  • Overall: 168 by 676 cm.; 66 by 266 in.

Condition

The work is in good condition overall, as are the panels, which are free from warping and chips. Examination under ultraviolet light shows no evidence of restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The work CMYK Bucket Splash asserts tremendous emphasis on the medium-specificity of the work and the process of making art. CMYK, which is short for Cyan, Magenta, Yellow and Key (Black), is the fundamental process colors for printing. The full color wheel can be attained by the combinations of these four basic hues. Using only the base palette of mechanical color reproduction to create this abstract work, Arin allows the element of chance to take full effect, while also embracing the industrial feel of the current time. In bold and swift movements, Arin pours the liquid resin onto a flat surface; twisting and dancing with the colors until the surface has been artfully covered. What is ultimately displayed is in fact the underside of the work. Arin captures the paints in midst of action; as the resin melts and coalesce into one another, they combine to produce secondary colors. As the resin dries, the multi-layers produce a dynamic and sophisticated effect on the final composition.