- 308
Alfredo Esquillo, Jr.
Description
- Alfredo Esquillo, Jr.
- Whisper to a Scream
- Signed and dated 2014
- Oil on ethylene-vinyl acetate panels, in 2 parts (diptych)
- Each: 152.5 by 121.5 cm.; 60 by 47 3/4 in. (2)
- Overall: 152.5 by 243.5 cm.; 60 by 96 in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The clouds on the left panel suggest an ambiguous place somewhere in between the earth and the heaven. Esquillo paints the woman in profile with her hands covering the side of her mouth. She could be the embodiment of a prophet, foretelling a chain of magnificent events. On the right panel, the artist describes the innermost sphere of reception: the ear has been transformed into a winged megaphone surrounded by a bed of flames or forked tongues. These elements have been consistent in Esquillo’s recent works and could be the artist’s way of inferring a deeper vein of consciousness. He investigates the notions of piety and devotion using religious imagery, but the content is not restricted to religion itself. His paintings often evoke powerful emotions that speak to the universal themes of mortality and existence, as well as betrayal and faith.
Whisper to a Scream is executed in a diptych format to emphasize the clear division between internal and external. The work demonstrates Esquillo’s superior painterly technique and also his ability to speak profoundly through the vocabulary of realism and abstract motifs. A whisper in the ear could indeed shatter a silence with tremendous rippling effect.