- 279
Maqbool Fida Husain (1915-2011)
Estimate
80,000 - 100,000 USD
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Description
- Maqbool Fida Husain
- Untitled
- Signed and dated 'Husain / 97' lower right
- Acrylic on canvas
- 27 by 40 in. (68.6 by 101.6 cm.)
- Painted in 1997
Provenance
Acquired privately in 1997
Condition
Good overall condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Maqbool Fida Husain consistently re-visited this subject matter of Mother Theresa starting from the 1970s. Husain viewed his depictions of Mother Theresa as akin to Madonna in Michelangelo's Pietà and her saree is a symbol of her protection. As with the Pietà, there is a baby in the arms of Mother Theresa. Husain's mother passed away when he was only three months old leaving him no visual image of her, not even a photograph. It is for this reason that the paintings in this series show the mother figure faceless, as seen in the present example.