Lot 208
  • 208

Satish Gujral (b. 1925)

Estimate
8,000 - 12,000 USD
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Description

  • Satish Gujral
  • Untitled
  • Signed in Devanagari upper right and inscribed 'artist / Satish / Gujral / 1969. New Delhi.' on reverse
  • Mixed media on wood
  • Diameter 30 in. (77 cm.); Depth 5 in. (12.7 cm.)
  • Executed in 1969

Provenance

Collection of Dr Johanna Nestor, Austrian ambassador to India and Ceylon, 1966—1970

Thence by descent 

Condition

There are small cracks in the center area by the three dimensional elements and very minor chips to lower edge of the work. Small losses are present in the black paint at the back edge. This work would benefit from a light clean.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Painter, sculptor, muralist, architect and interior designer, Satish Gujral has been described as a true 'renaissance artist' whose work marks a lifelong journey of experimentation with a range of media and forms of expression.

Gujral's firm grounding in applied arts has created the basis for his understanding of medium which he has then used to analyze space and structure even in the most commonplace objects. He also explores the architectonic qualities of form through an elegant juxtaposition of minimalist lines, symbols and circles. During the 1960s Gujral worked with the architect Le Corbusier on the Capital Complex in Chandigarh, India. Line, texture and color became as important as the subject itself. He projected ideas through substance and design to create a mood which enveloped his creations. Although his works were usually executed in a sombre palette, this sculpture is surprisingly full of color and is a unique example from this period in his ouevre.