- 202
Nathan Hylden
Estimate
45,000 - 65,000 USD
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Description
- Nathan Hylden
- Untitled
- signed and dated '10 on the reverse
- acrylic on aluminum
- 77 1/2 by 57 in. 196.9 by 144.8 cm.
Provenance
Johann Koenig, Berlin
Kevin Bruk Gallery, Miami
Private Collection
KCM LLC, Los Angeles
Acquired by the present owner from the above
Kevin Bruk Gallery, Miami
Private Collection
KCM LLC, Los Angeles
Acquired by the present owner from the above
Condition
This work is in excellent condition overall. There are some fine, unobtrusive scratches scattered on the surface of the aluminum. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"The thing that I’ve always been most attracted to in paintings is this sort of one-shot idea. These don’t get reworked. Within each painting you can see that it’s an incidental effect, that it’s not been fussed over and changed. It’s done once. You walk away and it is what it is." Nathan Hylden, 2013