Lot 323
  • 323

Pair of Gold and Enamel Cufflinks, Tiffany & Co.

Estimate
8,000 - 10,000 USD
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Description

  • Tiffany & Co.
  • gold, enamel
Designed with orchids painted in vibrant hues of pink, purple and white enamel, within scrollwork frames, gross weight approximately 7 dwts, signed Tiffany & Co.; circa 1895. With signed and fitted box.

Condition

In good condition with some minor evidence of discoloration and patination to the gold mainly around the filigree work, commensurate with age. Some light scratching to the enamel, but otherwise intact and in very good condition. Length approximately 1 1/8 inches.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

These cufflinks, likely designed by Paulding Farnham, are a wearable take on the orchid brooches that he designed for the 1889 Exposition Universelle in Paris. While the species of the orchid is unknown, the painting could have been based on a watercolor Farnham painted of the hybrid Calanthe veitchii during his exhaustive study of orchids during the late 1880s. This watercolor is illustrated on page 208 of Bejewelled Tiffany 1837-1987, edited by Clare Phillips.