Lot 46
  • 46

Elsbeth Juda (Jay)

Estimate
1,000 - 1,500 GBP
bidding is closed

Description

  • Elsbeth Juda (Jay)
  • Winston Churchill, Chartwell, Kent, October 1954
  • photograph on paper
Digital print. Signed and numbered 6/8 in black felt tip pen and with the L'Equipement des Arts blind stamp. Hahnemule hologram on the reverse. Accompanied by a certificate of authenticity.

Literature

Elsbeth Juda. Photographs 1940-1965 (exhibition catalogue), L'Equipement des Arts, London, 2009, illustrated p. 42.

Condition

This print is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

In 1954 Elsbeth Juda took a series of photographs of Winston Churchill at the request of her friend Graham Sutherland. The painter asked her to provide visual reference for his portrait of the 79-year-old Prime Minister for which he was commissioned by both Houses of Parliament to mark Churchill’s 80th birthday. The previous year Churchill had suffered a stroke and his renowned vigour was fading. Posing in his trademark zip-up ‘siren suit’, the sitter expected that the painted portrait would show him in the formal robes of a Knight of the Garter and was deeply wounded when discovering that was portrayed in everyday wear showing the advance of age. Unveiled in 1954 the portrait was never seen in public again and was in fact destroyed in 1965 leaving Elsbeth Juda’s photographs as a fascinating and distinct record of this singular episode.