Bruno Schulz

Acquired by the original owner in Poland before 1939
Thence by descent to the present owner

Pencil on paper. Sheet is slightly darkened from light. Recto: Surface in generally good condition, aside from light and mat stain visible along lower and left edges. A few scattered pin dot spots of foxing visible. Verso: Surface in generally good condition, aside from one 1/2 inch hard diagonal crease visible at extreme lower left edge. A 1/2 inch remnant of previous whit mat remains adhered to extreme lower right edge. A horizontal indentation across the sheet partially visible at top from previous matting. A few minor pin dot spots of foxing visible. In otherwise good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Born into a wealthy family in Drohobycz, Galacia, Bruno Schulz studied architecture at Lvov Polytechnic. He began working on the cliché-verre illustrations for The Booke of Idolatry in 1920, while an instructor at Drohobycz Lycée. The series of prints depicts a world of desire and temptation. The Booke of Idolatry remained largely overlooked, as did Schulz himself, until the 1930 Spring Salon in the Palace of Art in Lvov.

The 1930's saw Schulz's development as a writer, and he gained great acclaim in 1933 following the publication of his novel The Cinnamon Shops, titled in English The Street of Crocodiles. While focusing largely on his writing through the 30's, his graphic work also attracted attention and critical fame. At the outbreak of WWII, Schulz was still living and working in Drohobycz which was at the time occupied by the Soviet Union. While initially somewhat protected by a German officer who admired his work, Schulz was shot in the street and killed by another German officer in 1942.

In the 1970's, his work was rediscovered through a series of exhibitions in France and in Belgium. Schulz is now considered one of the giants of Polish literature and art in the 20th Century.