- 159
Pablo Picasso
Estimate
70,000 - 100,000 GBP
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Description
- Pablo Picasso
- Balcon sur la mer
- dated 8N. 1919 on the reverse
- gouache on paper
- 17.2 by 10.9cm., 6 3/4 by 4 1/4 in.
Provenance
Estate of the artist (inv. 2552)
Marina Picasso (the artist's granddaughter; by descent from the above)
Acquired from the above by the late owner
Marina Picasso (the artist's granddaughter; by descent from the above)
Acquired from the above by the late owner
Exhibited
Munich, Haus der Kunst; Cologne, Josef-Haubrich-Kunsthalle; Frankfurt, Städtische Galerie im Städelschen Kunstinstitut & Zurich, Kunsthaus, Collection Marina Picasso, 1981-82, no. 116, illustrated in colour in the catalogue (titled as Studio per 'Le Reservoir')
Venice, Centro di Cultura di Palazzo Grassi, Picasso, Opere dal 1895 al 1971 dalla Collezione Marina Picasso, 1981, no. 145, illustrated in colour in the catalogue
Tokyo, National Gallery of Modern Art & Kyoto, Municipal Museum Kyoto, Picasso, Masterpieces from Marina Picasso Collection and from Museums in USA and USSR, 1983, no. 95, illustrated in colour in the catalogue
Geneva, Galerie Jan Krugier, Picasso, Œuvres cubistes de la Collection Marina Picasso, 1986, no. 168, illustrated in the catalogue
Madrid & Barcelona, Fundacio Caixa de Barcelona, Picasso cubista 1907-1920, Coleccion Marina Picasso, 1987, no. 16
New York, Jan Krugier Gallery, Pablo Picasso: Cubist works from the Marina Picasso Collection, 1987, no. 43, illustrated in colour in the catalogue
Tokyo, Tokyo Station Gallery, Pablo Picasso Focused on Cubist Works from the Marina Picasso Collection, 1988, no. 34
Stockholm, Modern Museet, Picasso och Medelhavets Myter, 1997, no. 51, illustrated in colour in the catalogue
Berlin, Kupferstichkabinett, Staatliche Museen zu Berlin & Preussischer Kulturbesitz, Linie, Licht und Schatten. Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski, 1999, no. 129
Munich, Kunsthalle der Hypo-Kulturstiftung, Das Ewige Auge - Von Rembrandt bis Picasso. Meisterwerke der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski, 2007, no. 178
Venice, Centro di Cultura di Palazzo Grassi, Picasso, Opere dal 1895 al 1971 dalla Collezione Marina Picasso, 1981, no. 145, illustrated in colour in the catalogue
Tokyo, National Gallery of Modern Art & Kyoto, Municipal Museum Kyoto, Picasso, Masterpieces from Marina Picasso Collection and from Museums in USA and USSR, 1983, no. 95, illustrated in colour in the catalogue
Geneva, Galerie Jan Krugier, Picasso, Œuvres cubistes de la Collection Marina Picasso, 1986, no. 168, illustrated in the catalogue
Madrid & Barcelona, Fundacio Caixa de Barcelona, Picasso cubista 1907-1920, Coleccion Marina Picasso, 1987, no. 16
New York, Jan Krugier Gallery, Pablo Picasso: Cubist works from the Marina Picasso Collection, 1987, no. 43, illustrated in colour in the catalogue
Tokyo, Tokyo Station Gallery, Pablo Picasso Focused on Cubist Works from the Marina Picasso Collection, 1988, no. 34
Stockholm, Modern Museet, Picasso och Medelhavets Myter, 1997, no. 51, illustrated in colour in the catalogue
Berlin, Kupferstichkabinett, Staatliche Museen zu Berlin & Preussischer Kulturbesitz, Linie, Licht und Schatten. Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski, 1999, no. 129
Munich, Kunsthalle der Hypo-Kulturstiftung, Das Ewige Auge - Von Rembrandt bis Picasso. Meisterwerke der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski, 2007, no. 178
Literature
The Picasso Project (ed.), Picasso's Paintings, Watercolors, Drawings and Sculpture, From Cubism to Neoclassicism 1917-1919, San Francisco, 1995, no. 19-314, illustrated p. 267
The Timeless Eye. Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection (exhibition catalogue), Peggy Guggenheim Collection, Solomon R. Guggenheim Foundation, Venice, 1999, illustrated p. 414
The Timeless Eye. Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection (exhibition catalogue), Peggy Guggenheim Collection, Solomon R. Guggenheim Foundation, Venice, 1999, illustrated p. 414
Condition
Executed on cream wove paper, not laid down and affixed to the mount at all four corner, floating in the mount. The lower edge is slightly unevenly cut. This work is in overall very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."